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Today (8 May 2016) is the feast day of the Ascension, marking the last appearance of Jesus on earth after his Resurrection at and prior to his entry into Heaven. The dramatic event, central to the Christian message, is recounted in full only by Luke in the and the . We are told that Jesus blessed his disciples and was carried up on clouds into the sky, as were Enoch, Elijah, and Moses before him.

Though the culminating event of Christ’s earthly mission, the Ascension was rather slow to appear in the visual arts and is a much rarer subject than the Resurrection, which celebrates Jesus’ triumph over death. The earliest versions derived from pagan apotheosis scenes, whereby Roman emperors were taken up to join the gods on Olympus. In Italian art, Ascension scenes frequently complete narrative cycles showing the and , and in the later Renaissance and Baroque periods, it became a popular subject for vault frescoes, allowing artists to use their skills of illusion and perspective to suggest Christ’s ascent taking place directly above viewers’ heads.

Garofalo, Ascension of Christ, 1510-20, oil on panel, Galleria Nazionale d’Arte Antica, Rome

Vincenzo Campi, The Ascension of Christ, fresco, 1588, San Paolo Converso, Milan

Giovanni Lanfranco, Ascension, 1637-9, fresco, Certosa di San Martino, Naples

Giotto, Ascension, 1304-6, fresco, Cappella Scrovegni, Padua

Mariotto di Nardo, Scenes from the Life of Christ: Ascension, c. 1395, tempera on poplar panel, Musée du Petit Palais, Avignon

Lorenzo Monaco, Antiphonary (Cod. Cor. 3, folio 59), c. 1410, tempera and gold on parchment, mounted on panel, Bernard H. Breslauer, New York

Melozzo da Forli, Triumphant Christ, 1481-83, fresco transferred to canvas, Palazzo del Quirinale, Rome

Andrea Mantegna, The Ascension of Christ, 1460-64, tempera on wood, Galleria degli Uffizi, Florence

Andrea della Robbia, Ascension, c. 1490, glazed terracotta, Chiesa Maggiore, La Verna

Tintoretto, The Ascension, 1579-81, oil on canvas, Scuola Grande di San Rocco, Venice

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